HANNELORE BARON

German/American (1926-1987)

UNTITLED, 1980
mixed media box construction
2 ¼ x 6 ⅛ x 6 inches

SELECTED BIBLIOGRAPHY

2005 Maureen Mullarkey, Gallery-Going, The New York Sun, February 3

2004 Peter Frank, “Hannelore Baron,” University of Art Museum, California State University
and Manny Silverman Gallery, Long Beach and West Hollywood, ARTnews,
November, p. 158
Leah Ollman, "Silent Sorrows," Los Angeles Times, July 13
Lauren Michele, Art Seen, NoHoLA, July 6-19, p. 21
______, Arts, Jewish Journal, June25, p. 29
Faye Hirsch, Art in America, March, p. 133-134

2003 Elisa Turner, "Collages Whisper of Dark Memories," Miami Herald, June 1
Mike Sembos, “The Crappy Life of Hannelore Baron,” Fairfield County Weekly,
January 16 – 22, vol. 24, issue 03, p. 22
Lyle Rexer, “In a Small and Dark Art, A World of Grief,” The New York Times,
January 19, section 2, p. 38
Roberta Hershenson, “From Scraps at Home, Collage Masterpieces,” The New York
Times, January19, Westchester section, p. 8
_____________, “Hannelore Baron: Collages & Box Constructions, Senior &
Shopmaker Gallery,” The Art Newspaper (International Edition), Vol. IX, no. 133,
February, section 2 (Whats On), p. 4
Jill Connor, “Hannelore Baron: Works from 1969-1987,” NY Arts, February, Vol. 8,
No. 2, p. 80
Lyle Rexer, “Hannelore Baron: Surrounded Secrets,” Art On Paper, March, Vol. 7, No.
5, pp. 56-57 1964
Faith Jenkins, “Art Forms For All Tastes Found In Museum Show,” The Herald
Statesman, April 22

2002 Cassie Ferrari, “Modern Mystic,” The Collegian, Accents section, February 7, p. 11
Allan M. Jalon, “The Multiple Resonance of Collage,” Los Angeles Times, July 5,
section F, p. 26
John Sanford, “Layered, Emotional Work by Abstract Expressionist On View At
Cantor,” The Stanford Report (Stanford University), July 10, p. 5
Talya Halkin, “Gallery-Going,” The New York Sun, November7, p. 12

2001 Adrian Dannatt, “A Triumvirate of Triumphant Language,” The Art Newspaper, Vol.
XII, No. 114, May, p. 77
Valerie Reardon, “Hannelore Baron: Collage as a Response to Living,” exhibit:a,
issue 10, June/July
Gloria Russell, “UMass Art Exhibits Somber, Amusing,” Springfield Sunday
Republican, October 28

1999 Gail Spilsbury, “Hannelore Baron, When the Soul Speaks Through Art,” Siteline
(Smithsonian Institution Traveling Exhibition Service newsletter), No. 43, Winter, p. 4

1998 Leah Ollman, “Baron’s Work Celebrates Spirit of Survival,” Los Angeles Times, F9 R,
April 20
Roberta Smith, “In the Eye of the Collector: Seeking the Innate Order of Chaos,” The
New York Times, Section E, July 31, late edition-final, p. 33
Tim Griffin, “Portrait of the Artist as a Dog,” Art On Paper, vol. 3, No. 2, Nov.-Dec.

1997 Hegedus Geza, “Ismeretlen? Ismeros?” Nepszabadsag magazin, VII Evfolyam,
12. Szam, March 22-28
Barbara A. MacAdam, “Robert Rauschenberg, Solomon R. Guggenheim Museum,
Ace,” Art News, Vol. 96, No. 10, November, p. 221

1996 Holland Cotter, “Darts and Fusillades from the Sewing Basket”, The New York
Times, section C, June 28, p. 33
___________, The Seattle Times, July 12
___________, “Kollagen und Schaukasten,” Dillinger Stadtrundschou, October 9/10, p. 3
___________, “Kunstausstellung im Dillinger Schloss,” Dillinger Bote, October 10
___________, “Barons Werke Kommen ins Alte Schloss”, Saarbrucker Zeitung,
October 12/13, p. L1
___________, “Spate ehrung fur eine bedeutende kunstlerin, Hannelore Baron im
Dillinger Schloss”, Dillinger Bote, November14
Sabine Graf, “Letztlich ohne Erdenschwere,” Saarbrucker Zeitung, November 19
___________, “Kunstwerke aus Abfallmaterial, Ausstellungerinnerf an das Schaffen
von Hannelore Baron,” Dillinger Stadtrundschou, November 27/28
___________, “Heimkehr nach dem Tod, Kulturverein Farbklangzeigt Werke der
Judin Hannelore Baron in Dillingen,” Saarbrucker Zeitung, December 12

1995 Carl Schiffman, “New York Galleries, Late Fall ‘95”, New England Review, Vol. 17,
No. 4, Fall issue, pp. 143 – 148
David Pagel, “Works by Hannelore Baron: Timeless, Untraditional”,
Los Angeles Times, November 24

1994 Susan Kandel, “Messenger,” Los Angeles Times, section F, March 18, p. 27
Elenore Welles, “Hannelore Baron,” ArtScene, Vol.13, No. 7, March
David Pagel, Los Angeles Times, March 18
Eva Forgacs, “Hannelore Baron,” Art issues, May-June, p. 41

1993 Michael Kimmelman, “Hannelore Baron,” The New York Times, Section C, Oct. 1, p. 23
__________, “Hannelore Baron,” The New Yorker, October11, p. 27
Hovey Brock, “Hannelore Baron, Barbara Mathes,” Art News, Vol.29, No. 9,
November, pp. 161 – 162
Ken Johnson, “Hannelore Baron at Barbara Mathes,” Art in America, December

1991 __________, “Hannelore Baron,” The New York Times, April12

1990 Fred Stern, “Boxes: A Labyrinth of Dream,” Mizue Magazine, No. 954, Spring, pp. 32-54

1989 Cathy Curtis, “The Galleries, Wilshire Center,” Los Angeles Times, part 6, May 26, p. 19
Michael Brenson, “Hannelore Baron’s Collages,” The New York Times, section C,
June 2, p. 24
Barbara A. MacAdam, “New York, Hannelore Baron, Schlesinger, Solomon R.
Guggenheim Museum,” Art News, October, p.195
__________, ArtNews, October, p. 106

1988 John Carlos Cantu, “Joint Exhibition Reveals Art’s Dichotomy,” The Ann Arbor News,
section G, January 31, p. 3
Lauren Shapiro, “Artist Revels Private Personal Collection,” The Michigan Daily,
February 5
Pamela Hammond, “Los Angeles, Hannelore Baron, Jack Rutberg,” Art News, April, p. 126
Fred Stern, “Letter from America,” Mizue Magazine, No. 949, Winter, pp. 94 – 95
Jeanette Ross, “Redeeming the Flotsam,” Artweek, 24December, pp. 3 – 4

1987 Jo Ann Lewis, “Baron & Solman at Brown,” The Washington Post, section C,
February 7, p. 2
_____________, “Hannelore Baron, Artist, 61; Known for Symbolic Collages,”
The New York Times, May 1
Marge Bulmer, “Critic’s Choice - Hannelore Baron,” Reader, November20
Michael Brenson, “Two Artists Tempered in the Crucible of War,” The New York
Times,section2, November 29, p. 37, 43
K.C., “Assemblages Out of Turmoil,” Los Angeles Herald Examiner, December 4
Marlena Donohue, “The Galleries, Wilshire Center,” Los Angeles Times, part 6,
December 18, p. 22

1986 Nancy Grimes, “Hannelore Baron, Schlesinger-Boisante,” Art News, Vol.85, No.
2, February, p. 125.
___________, “Hannelore Baron in der Galerie Lopes,” Tages-Anzeiger, March 22
K.M., Los Angeles Times, part VI, April 4, p. 10
Betty Ann Brown, “Dark Prophecies,” Artweek, Vol.17, No. 13, April 5
Michael Anderson, “Pick of the Week,” Los Angeles Weekly, April 11-17
Michael Lawrence, The West Hollywood Paper, April 17
Elenore Lester, Jewish Week, July 25
Michael Brenson, “Bringing Fresh Approaches to Ages-Old Jewish Themes,”
The New York Times, August 3, pp. 27, 32
Vivien Raynor, “Contemporary Collages,” The New York Times, Section C, p. 38,
December 19

1985 Gerrit Henry, “Hannelore Baron, Schlesinger-Boisante”, Art News, Vol.84, No. 2,
February, p. 151
Hannelore Baron, “Westchester Opinion: On the Outside, Looking For an In,” The
New York Times, Section 11WC (Westchester), October 6, p. 34
Sue Taylor, “Baron Creates Poignant Collages,” Chicago Sun Times, November 6, p. 60
Vivien Raynor, “Hannelore Baron,” The New York Times, section C, December 6, p. 27

1984 Marlena Donahue, Los Angeles Times, March 9
Colin Gardner, “Illuminating the Human Condition, Poignant Collages by Hannelore
Baron,” Artweek, Vol. 15, No. 12, March 24, p. 4
_________, Images and Issues, July/August
Kay Larsen, “The Cooked and The Raw,” New York Magazine, September 24, p. 103
Judd Tully, “Selected Drawings by Eleven Artists,” Art News, Vol38, No. 10,
December, p. 155

1983 Dorothee Muller, Seddeutsche Zeitung, March10
Jo Ann Lewis, “Hannelore Baron’s Collages,” The Washington Post, section D,
April 2, p. 2
Denise Arnot, New Art Examiner, April
Monika Juhlen, “In Gedenken an die Opfer,” Reutlinger Gereral Anzeiger, June 22
Viola Drath, “Arts and Artists,” The Washington Dossier, July

1982 Harold Haydon, “Baron Memorializes Victims of War,” Chicago Sun Times,
weekender, June 11, pp. 73, 77
Maria Schmitt-Rilling, “Leidensbilder und Lebensfunken, Malereivon Hannelore
Baron in Saarlandmuseum Saarbruken,” Die Rheinpfalz, No.273, November 26
Leo Duppen, “De Collages van Hannelore Baron, Getuigenis Van Een Bewogen
Leven,” Kunstbeeld, November 7
B.R.U., “Lebenszeichen Aux der Eimgration,” Rutlinger General Anzeiger, December 16

1981 __________, “Hannelore Baron at the Member’s Gallery,” Albright-Knox
Art Gallery Calendar, January
Anthony Bannon, “Box Exhibit Holds a Range Of Emotions,” Buffalo Evening News,
section I, February 2, p. 13
Vivien Raynor, “Works by 84 Area Artists in Katonah Exhibition,” The New York Times,
(Westchester section), August 30, p. 20
Palmer Porner, “No Hiatus for This Season,” Artspeak, Vol.III, No. 11, December 10
Palmer Porner, Artspeak, December 19

1980 Hedy O’Beil, Artspeak, February 14
1978 John Russell, “City Art Season Opens With a Tingle,” The New York Daily Metro
(periodical published during a New York Times strike), September 17, p. 74

1977 B.C., “New York Exhibitions,” Art/World, May, p. 6

1973 Louisa Kreisberg, “6 local artists and some gravestone rubbings,” The Herald
Statesman, March 22, p. 26

1972 _______, “Neighborhood House Offers A Wide Variety of Classes,” The Riverdale
Press, January13, p. 3

1971 _______, “Women Artists, Drawings on View at St. Ed’s,” Austin American-Statesman,
November 7, p. 4

1969 _______, “To Paint Is to Love Again, Perhaps?” Tempo (Kingston, NY), October 26


ONE PERSON EXHIBITION CATALOGS

Hannelore Baron
Sarrbrucken, Germany, Modern Galerie des Saarland-Museums, 1982

Hannelore Baron Collages
Stockholm, Galleri Zero, 1986

Hannelore Baron
New York, Gallery Schlesinger-Boisante / Chicago, Roger Ramsay Gallery / Los Angeles,
Jack Rutberg Gallery, 1987

Hannelore Baron
Tokyo, Fujii Gallery, 1989

Hannelore Baron Collages & Box Constructions
with text by Peter Frank
New York, Barbara Mathes Gallery / Los Angeles, Manny Silverman Gallery, 1995

Hannelore Baron, Collagen und Schaukästen /Kollázsok és Dobozok
with text by Eva Forgacs
Dillingen, Germany, Farbklang Kulturverein / Szekesfehervar, Hungary, Istvan Kiraly
Muzeum / Munich, ACA Galleries, 1996

Hannelore Baron: Works from 1969 to 1987
with text by Ingrid Schafner
Washington DC, SITES (Smithsonian Institution Traveling Exhibition Service), 2001

Hannelore Baron, Fragments Shored Against Ruins
with text by Fredric Koeppel
Memphis, Art Museum of the University of Memphis, 2002


GROUP EXHIBITION CATALOGUES

6 Solos, Baron, Brandt, Buonagurio, Freedman, Gregory, Most
Yonkers NY, The Hudson River Museum, 1973

Jewish Themes / Contemporary American Artists II
with text by Susan Tumarkin Goodman
New York, The Jewish Museum, 1986

Fetish Art: Obsessive Expressions
with text by Robert Middaugh
Rockford, Illinois, Rockford Art Museum, 1986

Collagen
with text by Karl Buhlmann
Zug, Kunsthaus Zug, 1986

The Poetic Object
with text by Peter Clothier, Jim Edwards
San Antonio, San Antonio Museum of Art, 1988

Fiber and Form, The Woman’s Legacy
with text by Halley K. Harrisburg
New York, Michael Rosenfeld Gallery, 1996

In Pursuit of the Invisible, Selections from the Collection of Janice & Mickey
with text by John Yau
West Stockbridge, Massachusetts, Hard Press, 1996

Deep Storage, Arsenale der Erinnerung
I. Schaffner & M. Winzen, editors
with texts by Benjamin Buchloh, Trevor Fairbrother, I. Schaffner, et al.
Munich / New York, Prestel, 1996 (German edition)

Deep Storage, Collecting, Storing, and Archiving in Art
I. Schaffner & M. Winzen, editors
with texts by Benjamin Buchloh, Trevor Fairbrother, I. Schaffner, et al.
Munich/ New York, Prestel, 1998 (English edition)